Club History in Pictures

A tradition begins – the inaugural banquet of the Calgary Burns Club, January 25, 1977

“We all take it for granted, because it seems to have been around forever, but the Calgary Burns Club logo is probably the best example of its kind that you’ll find anywhere: an emblem that is self-sufficient and needs no further explanation. Take a closer look at it, and you’ll see how perfect an identity symbol it is for our Club, our traditions, and even our place within the city itself. Notice how the 1787 Silhouette of Burns sits perfectly within the legend, “Calgary Burns Club”, and how the lettering itself embodies the old, 1890s cowboy country Western flavour of the Stampede City. It really couldn’t be improved upon, because it reflects, exactly, the spirit and the identity that the original Executive Committee wanted to capture, from the Club’s beginnings. And the colour scheme is classic: stark black, highlighted with the russet cameo. The whole thing was designed, developed and perfected by one man, Alistair Ross, one of the original seven founding members of the club in 1975/76 and, at that time, Creative Director (later General Manager) of Baker Lovick Advertising. It has been years now since Alistair retired and moved away to live on Vancouver Island, but for this one magnificent contribution alone, the Calgary Burns Club should be forever grateful to him.”

– Jack Whyte

The first Burns Club president at the first Burns Supper, 1977

Bob Watson at the Calgary Inn.

According to Bob the Calgary Burns Club dates back to when a young Scot named John Paterson, came over to Canada to assist in the sale of 53 heifers and cows and three bulls to a Calgary rancher.  Bob got to know Paterson and in 1963 ended up attending a Burns dinner with three other couples at his house.

At the Calgary Burns Supper, 1977

Left to right: Graham Underwood, Bob Watson, Grant MacEwan, Alastair Ross

Jock Thompson, the president of the World Federation of Burns Clubs and club president Bob Watson pour whisky into an artifact that reputedly was used by Robert Burns.

Jack Whyte as Rabbie, 1977

“The photograph is the original cover shot for the 12” LP of my one-man show on Burns. It was called “Rantin’, Rovin’ Robin—A Night with Robert Burns” and the Calgary Burns Club sponsored and produced the recording, which featured a collection of the songs and poems from the stage show, all connected by a narrative thread. The cover design was by Alistair Ross, and it was he who Art Directed the photo shoot at which this study was taken. I can still remember that the red rose on the table beside me actually smelt like a rose, though it was looking a wee bit limp by the time we had finished. The book I’m holding is Bob Watson’s version of the original facsimile of the Kilmarnock Edition, and the costume, reconstructed from the famous Naismyth portrait of Burns, was made for me by a tailor in Vancouver. The album came out and was copyrighted in the summer of 1977, so that’s when the photo was taken”